Lesson 49: Diatonic 7ths
	This lesson teaches the 
diatonic 7th chords, which are used in 
	
	the chord progressions in many songs.
	
	
	
Before taking this lesson, you should know:
	
	
	The 
diatonic 7th chords are the obvious combination of two ideas: 
	
diatonic triads and 
7th chords.
	
	As you know, the 
diatonic triads are 
3-note chords built on the 
	scale degrees of the song's key:
	
		- 
		Degrees 1, 3, 5
		
- 
		Degrees 2, 4, 6
		
- 
		Degrees 3, 5, 7
		
- 
		etc.
		
	The 
diatonic 7th chords are just 
4-note chords built the same 
	way:
	
		- 
		Degrees 1, 3, 5, 7
		
- 
		Degrees 2, 4, 6, 8
		
- 
		Degrees 3, 5, 7, 9
		
- 
		etc.
		
	If you understand how we figured out the diatonic triads, then you could 
	figure out the diatonic 7th chords yourself, so I won't go through that 
	process here, I'll just show the results:
	
	
The Common Major-Key Diatonic 7th Chords are:
	
	Imaj7   IIm7   IIIm7   IVmaj7   V7   VIm7
	
	(That's "one major seven, two minor seven, three minor seven, 
	four major seven, five seven, six minor seven".)
	
	
The Common Minor-Key Diatonic 7th Chords are:
	
	Im7   ♭IIImaj7   IVm7   Vm7   ♭VImaj7 
	  ♭VII7
	(That's "one minor seven, flat-three major seven, four minor seven, 
	five minor seven, flat-six major seven, flat-seven seven".)
	
	Here are charts of these chords in the common keys:
	
  
 
	
	How These 7th Chords Are Used
	
	Diatonic 7th chords aren't usually just thrown into a song with triads for "no 
	reason". They're usually used one of these ways:
	
	
"Jazzy" styles. In jazz, 7th chords (and even more complicated chords) 
	are usually used everywhere instead of triads. 7th chords are also often the 
	usual chords in "jazzy pop" styles like 
soul and 
disco. In 
	fact, you can make a simple "jazzy version" of a 
triad-based song just 
	by changing all the diatonic 
triads to diatonic 
7th chords.
	
	
	
To create a melodic line. In pop styles, an occasional 7th chord might 
	be used because it creates a 
strong melodic line. This melodic line 
	might be in the actual 
melody, or in the 
bass line, or in an 
	
inner voice in the chords. A "strong melodic line" usually means a 
	line that either:
	
		- 
		Repeats the same note; -or-
		
- 
		Ascends or descends stepwise for 3 or more notes
		
To explain the melody. Sometimes, the 
instruments are just 
	playing a triad, but the 
melody is singing the 7th of the chord, and 
	the easiest way to explain why the melody note "works with the chord" is to 
	just say that the "analysis chord" is a 
7th chord, even though the 
	"instruments chord" is just a triad.
	
	
Exercises
	
	You can add these activities to your 
writing exercises (from 
	
Lesson 2: Practicing Songwriting):
	
		- 
		Practice playing them. Make a list/chart, keeping track of how fast 
		you can play these sequences, in both major and minor keys, in every key. 
		When you can play them all at 120 BPM, you'll know them pretty well.
		
- 
		Analyze chord progressions. Analyze the chord progressions in other 
		people's songs, and when you find a 7th chord, see if you can explain it 
		with one of the "reasons" above.
		
- 
		Analyze melodies. When you're analyzing melodies (see 
		Lesson 48: Embellishing Tones), watch for 
		when the best way to analyze a melody note is to just change the song's 
		triad chord to a 7th chord as the "analysis chord".